In 1991, Gus Van Sant’s My Own Private Idaho and its central performance by River Phoenix had an enormous cultural impact, not least on a budding young actor named James Franco. Now Franco, following his celebrated performance in Van Sant’s Milk, returns the favour. As part of his ongoing visual-art practice, he has collaborated with Van Sant to create Memories of Idaho, a meditation on the seminal film in multiple parts. At the work’s core are two new films, projected sequentially, in a darkened, generic space meant to recall an AA meeting. 

　　The first film, My Own Private River, is a feature-length chronological reassemblage of excised scenes and alternate takes from the original shoot, radically foregrounding Phoenix. The second film, Idaho, comes from one of three scripts Van Sant used to create the original film, its Super-8 texture meant to be a “ghost” of his original conception. Van Sant contributes ghosts of his own, large-format photographs of actual Portland street hustlers who appeared in, and provided inspiration and source material for, the film.



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